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1500 Years of Autocephaly and 21st Century
         Architectural Revivalism: Holy Trinity Cathedral,
                              Tbilisi, Georgia



                               DR AYLA LEPINE
       DURING POPE FRANCIS’ recent visit to  Georgia this autumn,  a  national news
       agency  produced  a  short film  of  a  priest  and  a  young  girl offering liturgical
       music  in  Aramaic.  As  their  voices  soared  in  the  full  cathedral,  the  camera
       panned  upwards into  the largest,  newest  sacred  architecture in  the country,
       revealing its sheer height and  grandeur to numerous audiences for whom  the
       particularities  of  Georgian  architecture  would  be  as  unfamiliar  as  the
       hauntingly  beautiful  musical  traditions  that  characterise  their  Orthodox
       liturgies.  The Georgian  Orthodox  Church has  been  a  distinctive community
       within  Orthodox  Christianity for  well over  a  millennium.  Its  autocephalous
       status has in recent years comingled with its suppressed circumstances during
       the  USSR  era.  Indeed,  Stalin  was  himself  a  Georgian  raised  in  Gori.
       Nationhood  for  this  country  of  4  million  people  has  been  built  upon  the
       tripartite  foundation  of  language,  land,  and  religion  and  has  often  been
       threatened  by  forces  without  and  within.  Tbilisi’s  own  built  environment
       attests to  this, with little surviving prior to the modern period due to conflict
       and unrest. In the Georgian patriotic tripartite formulation of national values,
       ‘religion’ is not the sensibility of faith, but the distinctive character of Georgian
       Orthodoxy.  Of  late,  this  has  created  marked  tension  with  other  faiths  and
       denominations,  as well as a  profound  and  widespread  flourishing of Georgia’s
       unique Orthodoxy in recent years following the country’s most recent iteration
       of independence.
            On  a  prominent hill overlooking the river than  wends its way through
       the ancient city of Tbilisi, the Cathedral of the Holy Trinity, better known by
       its Georgian name Sameba, asserts its vast stone monumentality against the sky
       (Figure 1). It is the third tallest Orthodox cathedral in the world. Begun in 1995
       and completed in 2004, its rapid development and exceptionally high pricetag
       – covered  primarily by  private donors  –  are  indicative of  a  Church that  has
       swiftly  and  intensively re-emerged  following  suppression  under  the  Soviets.
       Historically, the religious centre of Georgia was not within its modern capital,





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